Writing Courses

I have over 15 years of experience teaching creative writing—from the Tin House Summer Workshop to the Sarah Lawrence MFA Program to self-designed online workshops. In addition to my annual novel generator, I teach classes on sex writing, radical honesty, magazine pitching, and more. I’d love to see you in class!

Year-Long Novel Generator

Though most of writing a novel is a solitary act—done alone at a desk, in coffee shops, in bed, or even between stops on the subway—drafts rarely turn into published novels without supportive conversations and feedback from other writers. An enthusiastic, intimate circle of writers all engaged in the process can be the difference between a few opening chapters tossed in the trash and a full manuscript emailed to agents.

Every year, I offer a year-long first novel generator with twelve writers looking to complete their first novels. We read and discuss the debut novels of established authors, share our draft pages, and workshop full manuscripts. Along the way, we discuss our process both in class and outside of it. Class includes visits from established novelists, editors, and agents.

This year’s generator is currently underway, but the 2026-27 session will be begin in Fall 2026. Check back in the summer for enrollment and scholarship information. And feel free to reach out if you have questions!

Testimonials from Former Students

Future Courses

Where to Begin: On Novel Openings

Tuesday, April 14, 2026

6:00-9:00 PM ET

What makes a novel impossible to put down? How does a novelist create momentum from the opening page? In this craft lecture, students will study opening passages from authors like Raven Leilani, Sarah Thankam Mathews, James Baldwin, Imogen Binnie, and others to learn how novel beginnings convey the arc of the book to follow.

As readers, we will focus on tone, setting, characterization, and plot to get a sense of what the writer has done to draw the reader into the world of the novel. Topics covered will include world-building, character development, shifting points-of-view, nontraditional form, unreliable narration, and dialogue. The attention to both introductory and advanced craft elements will make this course suitable for writers at every level.

This course has 1 full and 1 partial scholarship available. To apply, please fill out this form by Monday, April 6.

Stealing, Borrowing, and Letting Go:‍ ‍Using Real Life in Fiction

Thursday, May 7

6:00-9:00pm ET

In fiction, it’s often assumed that everything the writer produced is fully imagined–or, in the case of autofiction, that nothing is made up, each character representative of a real-life parallel. The truth is normally far less interesting. Fiction writers peel from life required to create their fictional worlds, sometimes borrowing heavily, sometimes very little at all.

In this workshop, we will explore strategies for bringing real life into fiction. Why, for instance, might a writer borrow from real life to write fiction when they could just as easily make it all up? How might real life details undermine narrative momentum and coherency? When is it necessary to fictionalize?

This course has 1 partial scholarship available. To apply, please fill out this form by Friday, May 1.